By Joe Sacco
Joe Sacco has become known as perhaps the only graphic-novel
journalist, having created short works for Time and Harper’s. Palestine is
the work that made him famous, a personal journal of his tour of the
Occupied Territories for two months in 1991-92.
Having first read Safe Area: Gorazde, Sacco’s later study of
the Yugoslav conflict, I was unprepared for Sacco’s amateurish first
attempt at graphic-novel journalism here. The book gets stronger as Sacco is
drawn further into the plight of the Palestinians, but the beginning is really
weak. Sacco’s strength, is as true of all the best journalism, is at
uncovering the truth, and his work unabashedly exposes the harsh, blighted
landscape and personalities of the Palestinians. That’s why the book
sometimes stumbles – whenever Sacco gets self-conscious or self-righteous,
inserting his distracting thoughts into the story or focusing on clever graphic
design.
But when he finally finds a few key personalities to focus on, and spends
more time detailing the landscape, the book really shines. The latter
half of chapter four is perfectly realized, and stands out as the most
poignant and shocking tale in the book. It details a Palestinian man
unfairly accused, and his harrowing experience through torture. Left
in solitary, tied to a heating pipe and with a burlap sac over his head,
the man becomes increasingly desperate, suicidal, and claustrophic – just
as Sacco’s panels and illustrations do. It is this kind of specific
application, at its best, that allows the graphic novel to produce an
intimate, personal journalistic experience that can surpass prose and
photography alone.
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